sosyomat.com

funeral for a friend hakkında

~11 ahkam var.

red is the new black sonra bi de roses for the dead derim.

kiddostar   25 Haziran 2008 22:26        (0 puan)  |    
rapor et



deli şarkı yaa.. her şarkı adamı uzaklara götürmez

yokum   11 Kasım 2007 14:04        (0 puan)  |    
rapor et



love lies bleeding..

Mifune   16 Ekim 2007 21:04        (0 puan)  |    
rapor et



dream theater'ın a change of seasons albümünde muhteşem şekilde coverladığı elton john parçasıdır...
the roses in the window box
have tilted to one side
everything about this house
was born to grow and die

oh it doesn't seem a year ago
to this very day
you said i'm sorry honey
if i don't change the pace
i can't face another day

and love lies bleeding in my hand
oh it kills me to think of you with another man
i was playing rock and roll and you were just a fan
but my guitar couldn't hold you
so i split the band
love lies bleeding in my hands

i wonder if those changes
have left a scar on you
like all the burning hoops of fire
that you and i passed through

you're a bluebird on a telegraph line
i hope you're happy now
well if the wind of change comes down your way girl
you'll make it back somehow

seketek   28 Temmuz 2007 22:36        (0 puan)  |    
rapor et



fahrenheight oyununun müzikleri yaparak oyundan çok bir filme benzemesine katkıda bulunmuştur..

Turanbar   09 Nisan 2007 20:42        (0 puan)  |    
rapor et



normal şartlar altında en sevmediğim süper kahraman olsa da anlatımı ve katılımcıları ıle mukemmel sayılabılecek olan, superman'In olumunu anlatan cizgiroman saheseri bolumlere verilen ad.

laraken   12 Mart 2007 13:34        (0 puan)  |    
rapor et



ölümden sonra hayata inanırdım, her bitişin farklı bir başlangıcın yolunu açtığına..
o yüzden sevinmiştim bir dönemin bitişine, tırtılın ölümü değil, rengarenk bir kelebeğin doğuşu sanmıştım..

bilemedim, ilklerle süslediğimin son ,
o gösterişli kutlamanınsa bir cenaze olduğunu...

mutlu(!) yalnızlığın içinde huzur içinde uyu...

badinka   07 Aralık 2006 11:30        (2 puan)  |    
rapor et



Drive, Roses For the Dead ve Juneau parçalarını dinledikten sonra albümlerini indirdiğim, dinlenilesi, punk core karışık aciip (bence) müzik grubu..

Rare jb   29 Eylül 2006 19:49        (0 puan)  |    
rapor et



juneau, juneau diye başlayıp delicesine dinlemeyi sürdürdüğüm şahaser gruplardan biri.

streetcar,history,all the rage,bend your arms to look like wings. vs favorilerimdendir.

explosions   18 Eylül 2006 17:58        (0 puan)  |    
rapor et



history ile beni kendisine sevdirmişdir. emocore dinlemeye bu gurpla alışmışımdır. yoksa ne öyle çığlıklar gitarlar nıt nıt...

felt   18 Eylül 2006 17:54        (0 puan)  |    
rapor et



Roses for the dead adlı parçalarına çektikleri kliple beni kendilerine bir ara hayran bırakan emocore grubudur efenim..
kadrosu soyledir:
matt davies (vokal), darren smith (gitar), kris roberts (gitar), gareth davies (bas) ve ryan richardson (davul).

FUNERAL FOR A FRIEND

In any life, the end of adolescence, the coming to terms with adulthood, is a cataclysmic time. But imagine vaulting that hurdle while a member of a rock n’ roll group skyrocketing their way to fame, living through and adjusting to these changes in the public spotlight. Imagine trying to learn from your mistakes with an ever-growing army of rabid fans hanging on your every gesture, attempting to ride out both the emotional tsunami and some truly life-altering experiences, like headlining the second stage of the Reading/Leeds weekender, like headlining the NME’s Awards Tour and winning Kerrang!’s Best Newcomer award, and scoring covers on those magazines and more. Like touring with childhood heroes Iron Maiden across Europe, like following Linkin Park through America. Like achieving Gold for sales of your debut album, and scoring 3 Top 20 singles, and seeing all 8,000 tickets for your Alexandra Palace gig this May sell-out in a flash. Quite a headfuck, especially if you factor in the twenty-something tumult as well.

‘Hours’, Funeral For A Friend’s second album, tells the story of that headfuck, from all angles. Not since The Get Up Kids’ modern classic ‘Something To Write Home About’ has the vulnerability of young adulthood been so passionately essayed. And with that tender edge comes a sound by turns heavier and softer than before, the bands impulses for metallic riffage and melodic bloom no longer at odds with each other.

“We wanted to make a record that had no sense of compromise, of ‘middle ground’,” smiles guitarist Kris Coombs-Roberts. “Something people would either really love or hate, that no-one would feel ‘wishy-washy’ about.”

For this purpose, the band decamped to Seattle, Washington, where they lived for two months recording ‘Hours’ with producer Terry Date, rightly famed for his work with Soundgarden, Pantera, Deftones and Limp Bizkit, at both the legendary Bad Animals studio, and Pearl Jam’s own, personally-built studio. The liberal, progressive environs of Seattle might’ve been some miles from the boys’ stomping ground in South Wales, from their family and friends, but they soon made it home. After all, this two months was the longest they’d stayed in one place, without leaving for the next date on the tour, for as long as they could remember. They put down roots as deep as they could, drummer Ryan Richards further pursued his enduring love of Wrestling, and the band started digging inside of themselves for the music that would make up ‘Hours’.

Confidence was the name of the game. The band regarded their debut, ‘Casually Dressed & Deep In Conversation’, with indulgent affection, but ultimately considered its collection of songs from throughout their career to date, a disjointed set of old favourites and newer material, somewhat compromised. ‘Hours’ would be a proper album, of pace, structure, mood and sentiment. It would reflect the distance Funeral For A Friend had come as musicians, as songwriters. The bludgeoning riffage was finessed, strengthened; the melodies were stronger, stickier, nagging and unforgettable. And Matt Davies’ lyric sheet rang the changes further: deeper, darker, more mature, as his words navigated the same emotional icebergs he’d encountered himself over the past year.

Though Funeral For A Friend are a group stronger than the sum of their parts, true brothers of the road, it was Matt in particular who felt the pressures of the preceding months. As the group’s focal point, he became the fulcrum, and sustained the deepest wounds, learned the hardest lessons, on behalf of the band. There were points where his voice suffered, where his health as a whole suffered. There was a stay in hospital.

All of these lessons inform ‘Hours’, and its most personal lyrics. While debut single ‘Streetcar’ packs a powerful message about how people change - how Funeral For A Friend have changed - to a pulverisingly melodic power-rock charge, songs like ‘Recovery’ and ‘Hospitality’ and ‘Drive On’ are going to surprise fans and newcomers alike, with their depth and maturity. Drawn from personal experience and hard-won wisdom, they’re precious.

Elsewhere, the presence of Terry Date has enabled the band to capture the diamond-precise crunch the band’s heavier moments thus far have always hinted at, a focussed ferocity that is breath-taking. For those about to rock, ‘Monster’s Ball’ and ‘At The End Of Nothing’ were sculpted just for you.

It’s easy to think of the kind of Rites Of Passage that Funeral For A Friend have been exploring only in terms of the innocence that’s being lost, those childish things abandoned forever. But ‘Hours’ proves that, for Funeral For A Friend, maturity brings with it a strength and self-confidence that will see them through the triumphs, the trials and the outrageous fortune the album will bring them. A band already talking excitedly of working with Date on a third album, of travelling the world once again in support of their heartfelt noise. Funeral For A Friend have grown up, and it suits them fine.

matissera   15 Eylül 2006 23:46        (2 puan)  |    
rapor et